Here is an review I just wrote for the Hartford Examiner. I am "simulcasting" it if you will, here on my blog. I may start doing that periodically. Here it is:
Exodus is a band from the Bay Area of California. They formed in the early eighties, and by the time of the mid-eighties, a new subgenre of heavy metal was born: it was called thrash. A scene sprang up in the Bay Area (among other places), and with bands such as Exodus, Testament, Forbidden, Vio-lence, Death Angel, and yes, even Metallica, who claims they were "kicked out of L.A." and found their spiritual home in San Francisco.
In 1985, Exodus released their debut album on Torrid records, entitled "Bonded by Blood". Taking all the pre-existing elements of the heavy metal genre, and amping them up to the next level, the album featured fast, pounding drums, lightning fast guitar riffs, and the maniacal screams of the legendary (and now sadly deceased) Paul Baloff. This was an exciting time for the metal genre as fans and critics alike flocked to this new sound.
With the current resurgence of interest in the thrash metal of days past, enter the new DVD released by Zaentz records, "Exodus: Double Live Dynamo". While the title and font recall Ted Nugent, this is somewhat puzzling because the Motor City Madman is nowhere to be found. The DVD is set up as two concerts: the first in 1985 at the Dynamo club, and the second from 1997 at the Dynamo open air festival, both in Eindhoven, Holland. This is identical in structure to fellow metallers Toxik's DVD "Dynamo open air 1988" (and who doesn't have that one? Just kidding).
The first concert, the club date, is excellent. While not TOO dissimilar to what, in years past, would have passed as a bootleg, the mid-eighties camcorder footage, rather than decrease enjoyment, adds that dewy layer of nostalgia and charm. The crowd is going crazy (European fans tend to appreciate American metal bands visiting their countries), and the band performs a tight, energetic and highly entertaining set. Also of interest are the performance of two songs not released on any album, "Hell's Breath" and "Deathrow", making, by default, this DVD an essential purchase for completists due to that alone. Add to that some pre-show soundcheck footage and a great time is had by all.
Sadly, the second concert doesn't quite live up to the first. From 1997, a low year for metal generally speaking, I applaud Exodus for soldiering on and keeping the flame alive. But on that big stage there is no immediate connection to the audience like in the club gig. Plus its hard to tell if the fans are truly appreciating them or on an "ironic" level only. Additionally, the sound is a bit weird. We cannot hear Rick Hunolt's guitar at all. We see he is playing but we hear no sound. Maybe the live audience did, but the home audience cannot. Add to that his receding hairline and bad, super-baggy 90's pants, and a pretty picture is not painted. While we can hear Gary Holt's guitar loud and clear, unfortunately, the signature Exodus "crunch" is SO low and distorted it just sounds squelchy and is hard to listen to at times. Plus his short, California-dude hair is more suited to pop-punk than pure Metal. But I will give them the benefit of the doubt because it is said they had just returned to the stage with this lineup after just practicing with it. And it's not terrible, but in comparison with the previous concert, it's just somewhat sad to see how times have changed.
In conclusion, first concert = awesome. second concert = pass. But with the new interest in all things 80's and all things metal, I'm sure we can expect to see more DVD's like this in the future. Besides the fact that my wallet will take a beating, I say, go forth and thrash!
As you can see, I wrote the above article for those who know little to nothing about the band Exodus or Metal in general, especially thrash. I kept it pretty simple. I'm not sure the audience of the Examiner so I just assumed their knowledge base about Bay Area Thrash was minimal. This is at the risk of insulting their intelligence and seeming like a knowitall. We shall see?
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